Stranger things scene by scene

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Stranger things Representation

Representations:

•Teenagers:

The four main, protagonist teenager boys, Dustin, Will, Mike and Lucas, represent a compassionate and highly committed role to protect and help their friends. Together they communicate using cultural parlance, speaking with fantastical explanations. They oppress the typical stereotypes of teenagers within the 80’s and express a passionate, intelligent, level-headed approach, whilst maintaining a vivacious, cheerful personality. They also represent outsiders, unique to the other pre-teenagers seen in the high school. Similarly, Nancy and Jonathan are also hyper-intelligent, however as Nancy becomes rebellious with the interaction of Steve, Johnathan becomes brave, independent and a male leader. Steve, the complete opposite, classes himself to be popular boy with a crude personality.

•Family life and relationships:

In the first episode, Mike’s family represents a strong unit, they show a sense of togetherness, but this original image is disrupted when they argue at the dinner table, showing underlying issues. The father appears to be distant and somewhat careless towards the children’s actions, opposing to the domestic, protective mother. In the opening scene Will's family seem secure and close, however as the episode progresses it becomes apparent that they lack spending time together due to work, but they do maintain this loving, caring bond. Using two juxtaposing families, the audience can see the representation of class:

- Mike's family: typical, traditional suburban, middle class family.

- Will's family: atypical, broken, subverts the norm.

Showing the main characters, the audience only sees Mike's and Will's family - Lucas' and Dustin's family does not appear in the first episode.

Hopper lost his daughter and lives on his own - parallel of missing characters.

•Mothers:

Joyce Byers opposes to the typical, domestic role of a mother; she is over-worked and conscientious. She may be absent from Will’s and Johnathan’s life due to her job, but remains caring, loving, benevolent and supportive. She is also divorced, which somewhat represents a broken family - it was unusual to be divorced in the 1980's, which could suggest attributes of judging. Karen, however, represents the domestic role of a mother – she cleans, cooks and supports her family.  

•Absent fathers:

Will's father does not appear in the first episode - he has a new partner, in which Joyce has to communicate through to get to him, and he lives far away from his son's. Mike's father also seems slightly detached and absent from his family. Hopper, however, juxtaposes to this - he cares for Joyce's son who is missing.

•Police:

The police in Hawkins seem relaxed, comfortable and stress-free, as nothing bad happens in this town. Even when Hopper was firstly informed of Will's absence, he appears calm and untroubled. However, as the episode progresses, Hopper becomes concerned and anxious, investigating as much as he can.

•Government:

Silver Fox (Mathew Modean) - is represented as a masterful and powerful character, represented through the low angles, and smartly dressed costumes. When on screen, foreboding, non-diegetic sounds appear. He also creates a sense of nostalgia for the older audience as he was a well-known actor of the 1980's. Connie Frazier also appears rather powerful, subverting the typical female role .  

Supernatural:

The supernatural subtly appears within the episode: the opening scene when a scientist vanishes, when Will sees a figure, when eleven stops the fan and disrupts the phone, as well as defeating the men.

·         Small community life:

Nothing bad happens in Hawkins - the worst thing being an owl attacking a girl's hair.

Everyone knows everyone within the town - a close relationship